/DCV Verlag/ Katalog „Things i’ve never said“ /
Die Einführung meines Essays:
Love is always sought.
To the exuberant
Minimal abstraction
by Jenny Brosinski
by LARISSA LIKOL
Who’s afraid of baby blue, spray yellow and black tangle? Who
come closer, feed them instead, who eats them up? A fear of abstract
Painting should be discarded, as should minimalism. Then may
to be eaten, looked at greedily, a hungry sign-reading, a human one
Desire for colors, dirt, oil and gestures. It rains two streams
of yellow spray paint, light blue scribbles emptied of them. On
Feed Me, Eat Me (2020) they are roughly pushed apart by an ocher colored surface,
a black cloud approaches them, expresses them,
lets it splash and splash. The baby blue swirls down and can die
Don’t stop the currents. A natural phenomenon in Brosinski’s worlds. Not
far away, Donald or a puking dolphin might be waiting while
the artist protects someone from being hurt.
JENNY BROSINSKI stands for a contemporary, young position that is more abstract
Paintings that differ significantly from their 20th-century predecessors
differs. Instead of sublimity, it’s about haptics and sensual reception.
Everything floats, everything reacts – between the forces of the conceptual,
of pop culture and the naked, pure gesture. And her world is so dense,
so charged and complex that it combines minimalism with three simple strokes of charcoal leads ad absurdum again (…)
Larissa Kikol 